A decade into the E-mount digicam system and Sony has turn out to be well-versed at making 50mm lenses for mirrorless our bodies. The corporate’s newest effort, the 50mm f/1.2 G Master, is probably the most bold in addition to probably the most satisfying.
For as many 50mm lenses that Sony has launched, surprisingly, it hasn’t been till now that it has declared a design worthy of the “G Grasp” moniker and outfitted it with the highest-grade glass components the corporate can produce. Good issues come to those that wait, nonetheless, as a result of not like early G Grasp lenses with dated autofocus motors and chunkier builds, the 50mm f/1.2 GM lens is compact for its class and has the internals that future-proof it for years to come back.
Construct High quality
I take advantage of the phrase compact, however by comparability to all lenses that might not be the phrase you’d use. What I imply is that each Nikon and Canon have already debuted 50mm f/1.2 full-frame mirrorless lenses, and each the Canon and Sony are a lot smaller than the Nikon, and the Sony is slimmer than the Canon but in addition barely longer at 3.4 by 4.3 inches (87 x 108 millimeters). So far as weight, the Sony is the lightest of the bunch at 1.7 kilos (778 grams).
It’s a brand new period of digicam lenses, and Sony found out a solution to clip away all of the pointless materials across the optical design and autofocus motors to make the lens match casually into most spots you already saved your typical lenses. I took this lens with me to Hawai‘i inside each a Pelican case on the airplane and in a Shimoda backpack on the bottom, and there was no particular concessions wanted after I positioned it it in spots already carved out for an average-sized lens. I’ve a sense the identical couldn’t be stated concerning the Nikon 50mm f/1.2 behemoth.
So far as the dealing with of the lens goes, it’s a cushty match that’s not very heavy with just a few completely different tactile buttons and rings to control. There’s a giant, clean focus ring on the entrance and behind that, there are focus maintain buttons, a spotlight mode swap to toggle between autofocus and handbook focus, and an aperture de-click swap. Nearest the lens mount is the bodily aperture ring that runs by means of all the f-stop vary in 1 / 4 flip if you happen to discover that to be of use. In any other case, it may be set to “A” and the digicam takes again management.
The copy I had did have an issue I’ve come throughout numerous instances with rented Sony lenses, and that’s the lens hood was a little bit of a stiff, grinding mess to placed on. The bayonet mount goes dangerous both from unintentionally placing the hood on crooked or attempting to take it off with out holding within the launch button on the facet. Sony did add a pleasant contact of grippy rubber to the outer rim of this hood, so no less than we now have that.
Picture High quality
The 50mm f/1.2 GM options three XA components that are solely present in Sony’s G Grasp lenses, plus the most recent Nano AR Coating II. The optical efficiency of the lens is stellar with each distortion and vignetting well-controlled and no hints of colour fringing all through my real-world testing. Sharpness seems to be on level all through the aperture vary. All lenses sometimes have some “gotcha” to pay attention to, however after utilizing this lens for a few weeks there was nothing of the kind that developed at the back of my thoughts after I took it out.
Its efficiency is stable, and that continues with the dependable autofocus system. Even at f/1.2, the Sony lens combs by means of the main target vary with urgency to seek out the topic thanks partly to the 4 XD linear autofocus motors inside driving the main target group back and front.
As you’ll be able to think about, autofocus monitoring with such a skinny depth of area is an all-or-nothing pursuit. For probably the most half, I used the lens paired with the Sony a7C, which wouldn’t be the primary selection by anybody for the quickest autofocus performer. Nonetheless, the lens was in a position to maintain onto shifting topics by means of focus monitoring at even the shallowest depth of area.
The shut focusing distance of this lens is 15.7 inches (40 centimeters), and whereas that is nowhere near macro with a 0.17x most magnification, the power to obliterate the background does promote the impact of isolating smaller topics even in cluttered environments.
Photographers will make the most of an ultra-wide aperture for a lot of completely different causes, but it surely’s plain that the pleasing “bokeh ball” traits are a powerful promoting level for a lot of. With the Sony 50mm f/1.2 GM, there may be an 11-bladed round aperture and under are comparisons of the out-of-focus traits shot between f/1.2 and f/8 on the lens’s shut focus restrict. The highest picture exhibits the total body at f/1.2. Underneath which can be pictures which can be the full-frame vertically and the left half of the body horizontally.
Vast-open on the f/1.2 aperture, the cat-eye impact close to the perimeters of the body are at their most distinguished, however hardly a distraction or sufficient to qualify as “including character” to a picture. By f/2.8, we see good, even round bokeh throughout the body. Your complete aperture vary is freed from onion ring results contained in the bokeh balls or any sort of pronounced impurities. Some would possibly contemplate it sterile, but it surely’s onerous to argue it isn’t spectacular.
A Chef’s Kiss for Sony
It’s onerous to not eye roll when Sony declares a brand new 50mm after the FE 50mm f/1.8, E 50mm f/1.8, 50mm f/2.8 Macro, 55mm f/1.8, 50mm f/1.4, and 50mm f/2.5, however clearly the corporate was able to make one thing actually stand out with the 50mm f/1.2 GM.
It feels lighter and smaller than it ought to within the hand, solely additional including to the impressiveness of its efficiency of picture high quality and autofocusing. And after paying the Sony premium for years, at $2,000 it’s really the least costly 50mm f/1.2 full-frame mirrorless possibility compared in opposition to Canon and Nikon.
Are There Options?
No. So far as a 50mm f/1.2 full-frame lens for Sony E-mount cameras, that is it in the intervening time.
You probably have a crop-sensor Sony digicam, there are alternate options so far as quantity matching goes within the $280 Rokinon and $100 TTArtisan 50mm f/1.2 lenses, however I’m certain these corporations would additionally admit they aren’t meant to be rivals going head-to-head in opposition to a $2,000 Sony lens.
Is the f/1.2 aperture a very powerful part on the specs sheet for you? In that case, there’s a full-frame Sigma 35mm f/1.2 lens that might probably work as an alternative choice to $1,500.
Nonetheless, if it’s a quick 50mm lens you’re after, then there are extra choices when dropping a half-stop at f/1.4. Sigma makes the $800 50mm f/1.4 DG HSM Art lens, Rokinon has a extra budget-friendly option for $450, and within the Sony household, there’s the Planar T* FE 50mm f/1.4 ZA for $1,500.
Ought to You Purchase It?
Sure. The specs are unmatched within the Sony system, there are not any disappointments with the picture high quality, and it’s a lens that has utility wherever you go. It’s a simple selection.