Final yr, photographer Philip Edsel was one of many first on the earth to check the highly effective new Sony Alpha 1 – now he’s testing the pictures with the brand new Velocity Edit device in Seize One 21.
Earlier than anybody knew about Sony’s unimaginable Alpha 1 digital camera – I took a flight to Los Angeles with little or no info and a signed NDA that swore me to secrecy. Seems, I used to be one of many few fortunate photographers on the earth to check out the brand new Sony Alpha 1 earlier than its official launch.
On this weblog, I’ll offer you a glimpse into how revolutionary the digital camera is – and the way seamlessly it suits into my picture modifying workflow with the new Capture One 21.
The Sony Alpha 1 is an particularly thrilling digital camera for me for just a few causes. First, it’s physique is within the fashion of my favourite Sony digital camera to shoot with: the Sony A9. There’s nothing like a strong mechanical dial, and as somebody that’s typically capturing a spread of fast-moving motion, in addition to extra intimate portrait moments, the drive and autofocus mechanical dial is a big plus. Second, the specs are outrageous. 50MP at 30fps with no blackout? That sort of efficiency was unprecedented only a few quick years in the past. Mix that with 8K video in a single mirrorless physique and also you’ve bought the end-all be-all of digital camera expertise. Lastly, as somebody who additionally shoots loads of athletes and dancers with strobes, a 1/four-hundredth shutter sync is an enormous deal, even when it snuck below the radar on a stacked spec sheet. This digital camera can really do-it-all. However mixed with the ability and effectivity of the brand new Seize One picture modifying software program? Neglect about it.
I first began utilizing Seize One years in the past, after I’d heard they’d made a model particularly to deal with Sony RAW recordsdata. I imported just a few photographs, in contrast the un-edited picture with the identical file in Lightroom, and I haven’t appeared again since. Most of my work is shot tethered as properly, so utilizing a software program that’s fairly actually plug-and-play has been a lifesaver. Lately it looks like each consumer desires extra content material in much less time, so each second I can shave off my workflow provides up. Even with the Alpha 1’s 50MP recordsdata or the Sony A7rIV’s 63MP recordsdata, Seize One pulls in and shows picture previews insanely rapidly, so you’ll be able to cull and make selects immediately from the cardboard if you happen to’re in a rush. This is available in particularly helpful if you’ve forgotten you have been taking pictures 30fps at 50MP on the Sony A1 and you’ve got loads of giant recordsdata to undergo!
In fact, the issues I’ve all the time cherished about Seize One simply preserve getting higher. Listed here are a sequence of photographs shot for a boutique health consumer in Chicago, graded totally with Seize One. A number of fast temperature and tint changes and we’re beginning to really feel fairly darn cinematic. And now with Capture One 21’s new ProStandard Profiles and modular colour grading instruments, creating edits like these are really easy. Like, weirdly straightforward.
All-in-all, I’ve been a believer within the lovely relationship between Sony cameras and Seize One, however with the discharge of the brand new Alpha One and Seize One 21, the standard and effectivity of my workflow simply preserve getting higher and higher.
Get Capture One here.
Post by Philip Edsel with permission from Seize One.